Abspielen / Play Aufstieg / Ascent Entscheidend / Crucial Erreichen / Reach Fertigkeit / Skill Gespielt / Played Mann / Man Praktiken / Practices Reich / Realm Rolle / Role Sie / You Spur / Trace Ursprung / Origin Wann auch immer / Whenever Welche / Which
The time to read is any time: no apparatus, no appointment of time and place, is necessary. It is the only art which can be practiced at any hour of the day or night, whenever the time and inclination comes, that is your time for reading; in joy or sorrow, health or illness.
Whenever I read a script, I start recasting the role that I might play. I'm like, 'God, this should be played by Domhnall Gleeson, not me.'
Some people are always critical of vague statements. I tend rather to be critical of precise statements; they are the only ones which can correctly be labeled 'wrong'.
I can't tell you where a poem comes from, what it is, or what it is for: nor can any other man. The reason I can't tell you is that the purpose of a poem is to go past telling, to be recognised by burning.
Whenever a theory appears to you as the only possible one, take this as a sign that you have neither understood the theory nor the problem which it was intended to solve.
We can only take it so far, because man can only take it so far, lower self can only take it so far, and you have to realize that the public is only at a certain place.
There's still not as many women in music as men, and I don't really know why. I don't have the answers. I do wish there were more women that played music.
I'd seen a play of 'Richard III' in Coventry when I was 15, which sowed the seeds that you could act for a living.
We rely more on enthusiasm than actual skill. Whatever you do, do it enthusiastically and people will like it more.
