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I worked on the workshop of 'Topdog/Underdog' before it went to Broadway. My minor in school was theater, so I'm based in that, and then I moved to Los Angeles.
Style applies to a lifestyle. It's not about being told this is trendy, you must do it. Now people have more access than ever before.
If you're a movie star, you get the girl, you lose the girl, and then you get her back. But if you're a character like me, you lose the girl, then you get another one, then you get another one, then you lose them all, then you lose your life.
I have a personal trainer. But I tried boxing; I tried ballet. I tried everything to see what works best for my body.
When you get to readin' about where the music and John Steinbeck and all those people like that come from, the further you go the more interesting it becomes.
For an actress, everything is always fine - you are looked after, you have your trailer, and everything provided. But the crew are the ones out there in the wilds all the time, hours before and after us.
I have become so used to having people say, 'We loved your movie' instead of 'We read your book' that now I merely say, 'Thanks.'
I think all movie love scenes are hard because you can't truly be as intimate as you would be with anyone you're truly with, and everyone's watching you.
When you make a book or you make a movie, it is almost like hitting on somebody. It's not because you want to seduce people that you will seduce them; you can hit on somebody and it doesn't work. But when you hit on them and it works, then it's really cool.
