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For a couple of years, I focused more on producing because I wanted to be close to home, after traveling a lot for work.
There's no point daydreaming about what you want to play, because there might never be a script with that part in.
I knew there was something about 'Sun Medallion,' in particular, because I just had to record it the second I wrote it.
Gymnastics should be popular everywhere; you just need the right person to start the right programme.
For the producers, there was no reason to produce. You get money, but you couldn't use this money. For consumers, you could have money, but you have no way to use it because you go to the shop and see nothing.
If a script is good, you are 10 steps into the part just reading it. But my choices are not all down to my taste. It is about people you have worked with before.
My parents put skates on me at age 2, the way it should be if you're serious, and I've always liked it.
Producing came about because I never wanted to be in one of those books, Where Are They Now?
I'm always most excited about the job I'm doing at the present, and that's especially true about 'Price' because of my respect for the show and it's production team.
