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I don't have actors as friends. There's no actor who's my 3 A.M. friend. There are a couple of musicians whom I can call friends, and I have a close knit group of friends whom I feel comfortable with.
It's up to the courage of the filmmakers to make art in cinema, not just business. John was rejected by studios, he borrowed money and did movies with his own money. You're either courageous or not. You have to find a way.
I always felt a bit different. When I'm with boys, I feel comfortable. When I'm with girls, I catch feelings. It's not anything I can control.
I'm pursuing film and TV, and it's exciting because I feel I can write in almost any genre now.
The more intensely we feel about an idea or a goal, the more assuredly the idea, buried deep in our subconscious, will direct us along the path to its fulfillment.
It is said that anyone who does commercial cinema is not acting, and anyone who does an art film is acting. I don't believe it. I feel whenever you are doing a film, you are acting. So you need to be applauded for that. I won't do art house cinemas. I want to make commercial films. I want my films to make money.
If you decide to move to another country and to live within its laws you don't express your disregard for the essence of the culture. It's a form of aggression.
Filmmaking has always involved pairs: a director coupled with a producer, a director alongside an editor... The notion of couples is not foreign to cinema.
If the goal is to get the best artists, actors, and filmmakers in the world to create the best movies, Hollywood does a decent job. And I think no one would disagree with me that it also makes a ton of bad movies and employs a bunch of hacks.
