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I'll tell you how it happened. The phone rang. Paul, my agent, goes, 'Would you like to play Meryl Streep's?' I said, 'Yeeees! I'll do it, whatever it is.' He said, 'It's Mamma Mia!.' I said, 'Oh no, which character? The fat friend?
It's very rare that you get a director that lets you be creative and bring what you feel your character should do or should be.
Buyers decide in the first eight seconds of seeing a home if they're interested in buying it. Get out of your car, walk in their shoes and see what they see within the first eight seconds.
I haven't seen the film yet because I just got in from London. In the scenes where the two characters are bantering with each other, it is like bobbing at the net in tennis.
I take the fact that films cost a lot of money very seriously, but once in a while to have somebody say, This is a big scene, take your time with it, is important. That's John Sayles.
If something touches me, I cry. That's it. I'm a bit raw, a bit rubbish, really. Often, a director will say to me, 'I don't think this is a scene where your character cries.' And all I can say is, good luck with that!
I did 'Shameless' on Showtime, and I felt like I really tried to go super-method with that, and it would just make my days really hard to get in and out of character.
If you do a scene and you really like a character in it or a premise in it to write it down and to work on it so that you can have five or six characters that you can pull out in an audition.
That's my suggestion for kids who want to act, by the way: Make sure it's really your choice, get out of it when it stops being fun, and get an education.
