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At first I probably seem very abrupt, but I like efficiency. There's work and there's play, and I always think: 'Let's get the work over with so we can thoroughly enjoy the play.'
Work place romances always seem to get very confused and peculiar, in my experience.
As a film actor, you don't often get that opportunity to meet with your audience and take your applause on stage.
I don't really get nervous about the people I'll audition for, especially if it's people I admire and want to work with: it actually makes me more excited.
We always try to get new songs. That's what AC/DC has always been about. You can listen to what we do, and you can go, 'Well, it's AC/DC, but it's a new song.' So that's what we've always tried to achieve. So we've always got that style.
Business is about being the best that you can be, and there are always glowing examples of people that we can all learn from.
What's so great about working with really funny women is that vanity comes second. Whatever makes it real and funny, they're going to go for, and it's just great.
With me, satisfaction is always very fleeting with our work. I always get a little restless with it.
I'm very serious about becoming a dramatic actor. I don't want to play cameo parts walking on as Carl Lewis the athlete. I want to go on stage or screen and be taken seriously.