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Mainly, I thought of Barney as a kid. You can always look into the faces of kids and see what they're thinking, if they're happy or sad. That's what I tried to do with Barney.
My favourite part of writing a book is thinking up the ideas, and that can start a long time before I actually sit down at my desk.
When I started thinking about it, I was like, 'OK, if throughout time I get labeled as a conscious artist, I'll be very much celebrated, in a way, and honored.'
Be it a video game, comic book, or cheque book, the question always is, 'What story do you have to tell?'
I was living in Woodstock for a long time, and I thought, I got to get out of here, man.
When I was a kid, back in the '40s, I was a voracious comic book reader. And at that time, there was a lot of patriotism in the comics. They were called things like 'All-American Comics' or 'Star-Spangled Comics' or things like that. I decided to do a logo that was a parody of those comics, with 'American' as the first word.
Even though I was trained in play writing and screenwriting, when I sat down to write a comic book for the first time, Alan Moore was first and foremost in my mind.
When things are bad, we take comfort in the thought that they could always get worse. And when they are, we find hope in the thought that things are so bad they have to get better.
I've always known there's more to life than just racing for a long time.
