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I didn't start out thinking that I could ever make films. I started out being a film lover, loving films, and wanting to have a job that put me close to them and close to filmmakers and close to film sets.
I think people feel starved of nice, glamorous entertainment. They want to see costumes and gaiety and a singer; old-fashioned entertainment - it won't die easily.
I think when I started to get in shape and spend time at the gym, I could be better to other people and be better to myself and get back to loving fashion and experience it myself. I started to wear kilts and lace dresses.
I think, in life, we want to surround ourselves with people who make us think and question ourselves, and those are the types of films I want to do and the types of characters that I hope I get to continue to play.
I think I was born to be a clown. I just haven't figured out how to bring that side of myself into the world of filmmaking. It's much more comfortable for me to cry on a film set than it is to tell a joke.
I think you get out of film school what you put into it. If you don't care about making movies, film school will do you no good.
I do movies that I would like to go and see. I think that's a good barometer of how I choose films. I like going to these movies. Our job is to make sure the audience gets their $16 worth. That's my job.
Every film teaches you something; every experience on every film set with every co-star teaches you something. You learn something new. I think the challenge is to keep working harder and doing better.
The silent film has a lot of meanings. The first part of the film is comic. It represents the burlesque feel of those silent films. But I think that the second part of the film is full of tenderness and emotion.