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I always read what I write out loud, and I did that long before any radio thing. My editor finds that unusual.
Over the years, I've always had one Labrador and usually two. I've had some great dogs, and I've had some dogs that didn't work out. I found them good homes and gave them away.
If you're going to do a thing, do it fully so that no writing you give the world misrepresents you - so that nothing you put out there is like a sad regift you couldn't throw away and had to find a place for.
I've always appreciated working with people I have chemistry with, who are friends, and where you feel that the work is growing while you are getting to know each other better.
I always write 'Fight' on the mirrors - that goes way back to the times when you had to fight apathy.
There's no getting around it: Writing is hard, while working with young performers is nearly always a joy.
It's just like with people. You're going to get along better working with them - human or equine - if you ask politely rather than demand that they do things.
I don't mind doing the Who tours when they come along but I want to get out there and play.
My publisher, who was so good as a taster and editor, when she became a writer, lo and behold, it was all this feminine tosh.
