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The only way to stop the erosion in network television is to come up with shows that are very popular.
I used to be a rabid reader, but now it's scripts or nothing - network television is quite relentless, and you can't drop the ball.
Real life doesn't exist on a network television comedy. They just don't let you travel down any road that is presumably 'dark.'
You hear a lot of horror stories about proposing and things going horribly wrong - it went really, really well and I was really pleased when she said yes.
Music has to be written while people are still excited about a particular melodic or rhythmic sequence. The idea doesn't come out the same if we're not really excited about it.
The beauty of soaps is that it takes a village to make it work, and you get to work with really hardworking people.
With comedy, it's really hard to tell if something's working on the page - you really need the actors to bring it alive. The scariest part is if people will laugh or not.
I've done 10 or 11 pilots for network television, which is ridiculous.
Maine is wonderful. It can be very hard. I mean, if you look at the profile maps it doesn't look it, but somehow when you get out there it's really steep and hard.