Ding / Thing Echt / Real Echte Person / Real Person Experiment Geige / Violin Groß / Big Großer Teil / Big Part Identität / Identity Ohne / Without Person Sortieren / Sort Teil / Part Verlassen / Leave Versuchen / Try
If we get to shoot the third one, which I'm really hoping we do, the third one's great. There's a big uprising and rebellion, and my character Gale's a big part of that. If we get to shoot that, I'll be very, very pleased.
There's this large trend - I think the next trend in the Web, sort of Web 2.0 - which is to have users really express, offer, and market their own content, their own persona, their identity.
In the late 60s and early 70s, I did get interested in voices, and in narration and embodying the voice, making the poem sound like a real person talking.
I try to be happy. I try to face things without regret or make sure that I'm happy with things and leave nothing unsaid if I can.
Once you have invented a character with three dimensions and a voice, you begin to realize that some of the things you'd like him to do to further your plot are things that such a person wouldn't, or couldn't, do.
I try to face things without regret, or make sure that I'm happy with things and leave nothing unsaid if I can.
The pattern of things was that each of the research students would be doing some particular experiment on the accelerator, often involving the building of counters or a system like that.
Persistence is incredibly important. Persistence proves to the person you're trying to reach that you're passionate about something, that you really want something.
You can never connect on a deeper level if you idolise someone - you don't see the real person.
