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People see me for 30 seconds at a time, and they see someone who's got a hair and make-up team that put them together, and they're looking all right in the world, but it's not.
Now, Marlon and I - for some reason, even today - even today, we can't say two words to each other. We really can't talk to each other. You know, I say to him - Marlon can't talk. I mean, he'd talk to you. But he can't talk.
Speaking English is like tongue-twist for me. I can speak each word perfect, but then you have to string them together like, 'Blah, blah, blah.' That's when I get crazy.
The poets whom I knew then were all men and all seemed dauntingly sure of themselves - although I am sure that really they were as uncertain as I was.
It's hard for a shortstop to play with a guy you don't know in the middle of the season. If you know a guy early in spring training, you're working with them.
When you get to be a 45-year-old man, you start to realize: 'I know who I am, and I know who I'm not. I know my shortcomings, I know my strengths; maybe some of my shortcomings are my strengths.' You start to face yourself as you truly are.
A million words were going through my head and honestly I didn't say one of them. I wanted to let it sit, simmer, you know I wanted to soak it all in - the moment was amazing.
When I said the city would be stronger, I didn't know that. I just hoped it. There are parts of you that say, 'Maybe we're not going to get through this.' You don't listen to them.
You never really know as an actor; it's completely out of your control, in terms of editing, and music, and film stock, shot selection, and what takes they use.