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I love being a writer-director. I couldn't imagine directing without writing it. You have to write and tell your stories - that's what directing is to me.
Accepting that part of the process of writing is deleting a lot of what you write is soothing, at least to me.
I never sit down to write. When I'm moved, I do it. I just wait for it to come. You just hear it. I can't really describe writing. It's in my head.
I feel confident writing on my feet with improv, but it's different when you're sitting down and writing it out.
In France, I discovered that I love writing in the city. There's such an intensity to being in the city that matches the intensity of what you're experiencing in your head.
You write with ease to show your breeding, but easy writing's curst hard reading.
There is a formula that allows you to write a decent song. But a song like 'You're All I Need to Get By,' it just writes itself.
There is nothing to writing. All you do is sit down at a typewriter and bleed.
My writing has always been what you call 'narrative fiction' in the sense that it's got very strong plots and twists at the end.