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Ideally, I want us to be working on things where if we're not working on them, they won't happen; companies where if we don't fund them they will not receive funding.
I just think that some version of the past in our culture is going to rise up and become dominant.
I love going to the cinema and thinking you're seeing something, and you end up on a whole other planet, and you can't believe it.
It's ironic that while I was a worker in Detroit, which I left when I was twenty six, my sense was that the thing that's going to stop me from being a poet is the fact that I'm doing this crummy work.
I used to paint pictures - what happened was, I used to draw and paint pictures. And some of my friends would be, like, 'Yo, you should put that on a T-shirt,' because that's where their brain would go.
If I have a connection with someone, I'd like to think that they'd be able to respect that connection enough and respect themselves enough to not care about my past - that they would want to see what happens between us.
The idea that I'm going to have to sit down to write some fiction where I'm going to have to think of a plot would really scare me, because it would come out a mess.
I don't expect that we're going to become the biggest craze. If it happened, I'd be really shocked. I think people will dig it, but there will be a sea of people who just don't get it.
I think part of that is to create an environment where it's like real life, where you don't really know what's going to happen to you in a certain scene.