Ausgebildet / Trained Bis um / Until Britisch / British Darsteller / Actor Denken / Think Gespräche / Talks Jeder / Everyone Jetzt / Now Meiner Ansicht nach / I Think Talent Theater / Theatre Über / About Über / Over Weil / Because Welt / World Wurden / Were
Well, I think on second units it's all about execution. Because you come in there, you don't have to worry so much about the studio and all the other actors and all that.
Every artist seems to me to have the job of bearing witness to the world we live in. To some extent I think of all of us as artists, because we have voices and we are each of us unique.
When I think about a character, it does start with the shoes: What kind would she wear? How would she walk in them?
The only really safe thing to do is to write a diary of where you've been, what time you went to bed, what you ate. If I wrote honestly about everything I think it'd be a disaster. It would cause a lot of trouble.
I think Stieg Larsson was pretty brave. He wanted to bring up things that we don't like to talk about, or like to ignore.
I think there are certain actors that have that kind of energy about them, that taking over a room energy.
Music tells you about the artist and what they were thinking about at the time, because the person has to think about it to sing it.
It is an actor's defect. I want everybody to like me, so I'll say what I think will please them.
I hate thinking about writer's block! I don't have writer's block much, knock on wood, but if I do, I think it's usually because I haven't done enough research and am therefore unable to create a fully realized world.
