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There's only one test of a great children's book, or a great children's film, and that is this: If it can be read or viewed with pleasure by adults, then it has the chance to be a great children's film, or a great children's book.
Right up until the time I retired at age 37, I felt like there were still things that I could do better.
I think children love reading, and they will make time for it if we put the right books into their hands. And I hope I get the chance to keep being one of the people that writes them.
If the conditions were right there could be great acceptance. Often it is only when they pose an economic or political threat that it turns really ugly.
That's the thing about the script, is that how these people were affected by their decision, and how it could ultimately kill them, and I mean literally.
My thirties merged into my forties, and I sort of gradually realised that I don't really want children. Now I'm glad I don't have them. Part of that is because I have my books.
I like being out front, doing what I do, but then I also like playing in a band too. I'd like to do stuff like I did with Deee-lite. I went out and played with them and they were the stars, that was cool.
A thing I do with all my characters is I break them down into one of three things: mind, heart, and groin. I figure out where they come from and what they utilize most.
Reading and writing are connected. I learned to read very early so I could read the comics, which I then started to draw.
