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If the reader cares, I don't think it matters so much whether your hero is in fact an anti-hero.
I would do 'Superbad,' and the next offers you would get would all be crazy cop characters or crazy security guards or something.
I'm trying to look into each character and try to realize her as someone who is also me.
Sometimes you have to go places with characters and emotions within yourself you don't want to do, but you have a duty to the story and as a storyteller to do it.
Better the rudest work that tells a story or records a fact, than the richest without meaning.
I can be unkind to someone in the street or in the subway - I'm a bad-tempered person - but I'm unable to be unkind to a character. They exist because of me, and I have responsibility for them.
You can never tell when an artist really will take up someone's work and work with it happily.
The person I've worked with most is Morena Baccarin, and from her, I've learned to stand up for your character.
When I sit down to write a scene, I have a plan in mind, and I'm thrilled when a character disregards my goals and takes the story to a place I hadn't imagined.