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The way I approach acting when there's a real life character, it's sort of like a Venn diagram. What I come up with is some amalgam of the two of us.
Man's real life is happy, chiefly because he is ever expecting that it soon will be so.
Oh, man, if in real life I was as cool and suave as Coach Taylor and had all the answers, things would be easier.
I have few other characters to relate to other than myself. I have enough of a body of work now that the paternal side of Alan Thicke gets a lot of play. I do get a lot of calls to play dads.
I don't base any character on a real person, and really don't do composites either. I make them up.
My father always used to say that when you die, if you've got five real friends, then you've had a great life.
I will give my life to whoever in need, to any dear friend of mine.
The characters can't be wittier than people are in real life. They have to be character witty.
There are characters in movies who I call 'film characters.' They don't exist in real life. They exist to play out a scenario. They can be in fantastic films, but they are not real characters; what happens to them is not lifelike.