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When you leave, you basically want to go eat, because I talk a lot about food in my act. So when you leave, you leave hungry.
You have to make films you feel strongly about. And then hope you can find the audience.
You put deadlines on people you really don't want, because that's how you feel about them.
If you think about how many headlining female comics are out there, you could say 15, maybe 20?
I love gritty drama. I'm passionate about films and drama that make you think - hard-hitting, gravelly characters.
In Japan, you can learn how to make a bunch of flowers. This is an art. Tea ceremony, it's an art.
That's what I like about Neil Jordan's films: everyone is better at what they do than you are.
The more I learn about things, I realise how wrong I was before.
If you make a film about childhood, you've got to pick a moment - you know, 'The 400 Blows.'
