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Because I went to Chouinard, which then became CalArts, I became a multi-discipline artist - it wasn't just about painting, it was about media and performance.
If you're going to stick around in this business, you have to have the ability to reinvent yourself, whether consciously or unconsciously.
What I am more concerned about is whether our whole civilization will be around in the next 25 years.
What I look for in any character, good or bad, is whether I can hear him speak. If I can imagine him that clearly, then I can write about him.
I've been sort of traveling around the country for ten years talking about independent features.
Good performance is about the capacity to focus and concentrate.
Back in 1975, we were making all the decisions about what people were going to watch.
A lot of people don't know that my background is completely classical. For a while there, I was all about Moliere and the Greeks and Brecht and Tennessee Williams.
Having wires strewn across your couch and across the floor is a big deal to a lot of people.
