Cast is everything.
Your landscape in a western is one of the most important characters the film has. The best westerns are about man against his own landscape.
I don't ever blink, honestly.
Everyone is tearing each other apart in the name of their personal god. And the irony is, by definition, they're probably worshiping the same god.
I like a film such as 'American Beauty,' and I like 'Spider-Man.'
If I have to, I'll go and direct theater and talk till the cows come home.
I think one of the successes of Gladiator is how we manage to turn on a dime the character from one thing to another where you believe he is one thing and he is something very different.
I watch a lot of 'National Geographic.'
I had been very impressed with the voiceover of 'Apocalypse Now,' with Martin Sheen's voice. That was a great voiceover; it really internalized the Martin Sheen character, who was essentially fairly low key and didn't say a lot during the whole movie. But he thought a lot, so I always thought that was really great.
We can't terraform yet, but we know it exists.
Blade Runner appears regularly, two or three times a year in various shapes and forms of science fiction. It set the pace for what is essentially urban science fiction, urban future and it's why I've never re-visited that area because I feel I've done it.
Same thing with film, by the time you've finished shooting and you've really been into everything, you've touched up everything in the editing room. You've gone in there and taken little bits from everything.
The whole process of making movies and writing screenplays is visceral and intuitive.
I would make a film with a political point of view if I agreed with it, and even, perhaps, if I didn't.
Choosing location is integral to the film: in essence, another character.
I knew exactly what to do on Alien, it was funny.
When you're doing a big movie, you're gone for 10 months to a year.
Actors are all different. They're not all volatile. Some are sweet, some are volatile, but what is fundamentally in there is something that has to be paid attention to, in that they are, I would say, needy.
The U.K. has to keep investing in new technology, skills, and infrastructure to keep pace with international competition.
When you think about it, 'Avatar' is almost completely an animated movie.
Perhaps because of my background as a graphic designer, I'm drawn to rich and beautiful colors.
For 'Prometheus,' I came back to a very simple question that haunted me that appears in the first 'Alien,' and no one answered in subsequent Alien films: who was the 'Space Jockey' - the big guy in the seat? If you really go into that, it becomes the basis for a pretty interesting story.
I don't get attached to anything. I'm like a good antique dealer. I'm prepared to sell my most valuable table.
I'll reshoot a corridor 13 different ways, and you'll never recognise them.
Life isn't black and white. It's a million gray areas, don't you find?
It's hard writing screenplays.
It's everything and I always make decisions about the cast.
I don't make films for other people; I make films for me.
You always worry before your movie opens that no one is going to come out.
I always shoot my movies with score as certainly part of the dialogue. Music is dialogue. People don't think about it that way, but music is actually dialogue. And sometimes music is the final, finished, additional dialogue. Music can be one of the final characters in the film.
I watched Someone to Watch Over Me the other night. I thought it was a really good movie. It's a great movie.
I tend to watch a lot of lower-budget movies to find out what's doing down there and find out who's coming up.
I was always amazed about how much I could finally squeeze into a thirty second commercial.
But Gladiator is one of my favourite adventures because I really loved going into the world. I loved creating the world to the degree where you could almost smell it.
I had a quite unconventional childhood, in the sense that I traveled a lot and I went to 10 or 11 schools. I was completely confused academically, but wherever I went, I could paint. I painted an inordinate amount.
Audiences are smarter than ever; they know if filmmakers cheat an environment.