Zitat des Tages von Baltasar Kormakur:
Throughout the history of Iceland, men have been lost at sea; every family in Iceland is connected to that kind of story.
Vikings were pretty brutal, but also very educated people. They were salesmen, businessmen who started raiding when business wasn't good. That's why they had such great boats.
The winters are too long, and there's only one airline, so it's difficult to escape when you feel frustrated or claustrophobic. The audience for our films isn't very large, so it's difficult to support an industry. But, Iceland is beautiful. Sometimes it's hard to imagine living anywhere else.
The thing about Iceland is that we are trapped there anyway, all of us. We have been trapped there for thousands of years.
I think my sweet spot is to make personal films on not-too-big budgets and also make other people's films, bringing productions to Iceland, upping the business here.
I have no problems with remakes, and I think it's interesting. I mean, coming from the theater, we've been remaking 'Hamlet' for a hundred years, so it's no problem to me at all. A good story can be told in many different ways in different places; I just think it's interesting.
For me, the source material can come from anywhere. It can be a poem, it can be a dream, it can be a movie, as long as the end part of it is interesting - that's what it's about for me.
I really wanted to make 'Everest' visceral, real. One thing that amazed me when I was scouting in base camp is the volume of Everest: It's humbling. I wanted to find a way to bring that to the screen. One way was 3D.
When I made '101 Reykjavik,' people talked about 'Almodovar on ice.' When I made 'The Sea,' people referenced Bergman.
I've always looked at filmmaking as a lifestyle. There is no decision of when you go to work. It's a way of life: you're thinking about scripts; you see things and think, 'That could be interesting'... I don't think about my work as, 'Today I'll work on this, this and that.' It just comes to me.
I developed 'Trapped' because I was fascinated with the idea of a terrible crime in a small town cut off from the rest of the world.
It's important for cinema to keep on evolving: for people, and not only teenagers, to be able to go to a movie that has huge epic scope but has an intellectual and real story to tell.