I love the craft of acting, I love learning, I love everything that comes with the new project; the whole process is totally intoxicating to me.
It used to be the one or the other, right? You were the 'bad girl' or the 'good girl' or the 'bad mother' or 'the good mother,' 'the horrible businesswoman who eschewed her children' or 'the earth mother who was happy to be at home baking pies,' all of that stuff that we sort of knew was a lie.
I think what's interesting about the whole paparazzi thing is that unless you're Brad Pitt or Madonna, you can pretty much avoid it. You know when you're going to an opening that you will be photographed, so that's fine. And you know the restaurants that have paparazzi, so you don't go to them.
I act, but I am a mother first and wife second.
I've tried to take roles with great demands.
Right now, I love the fact that I have so many opportunities, but I know this privileged position cannot last. That doesn't mean that I'll stop working. I picture myself as an old actress doing cameos in films with people saying: 'Isn't that that Bening woman?'
I didn't do a movie until I was almost 30. I'm grateful for that because it gave me a chance to be an adult in the world and do work in the regional theater that very few people cared about. I loved it and I wanted to do that stuff.
I don't see myself as having to compete with younger actresses; I don't feel that.
I've always been pretty levelheaded. In show business, you need to have a certain internal stability.
I like things that I feel comfortable in.
I wanted to be a classical actress. I plodded along. I went to junior college in San Francisco, I was in a Repertory Company. My hero was Eva Le Gallienne, who was a great theater actress at the turn of the century who created her own company, and she wrote these hilarious autobiographies at the time.
The time I spend with my kids informs every fiber of who I am.
Sometimes you're reading something, and you don't know it will be important in your life. You're reading this script, and you start to get involved. It's not an intellectual experience.
By the time I was in high school, Roe v. Wade had passed, so that was also happening; girls were getting pregnant and getting abortions - and that happened in my school too.
When I started in the theater, I'd do plays by Shakespeare or Ibsen or Chekhov, and they all created great women's roles.
My character in 'Running With Scissors' is manic-depressive. She starts out as a wonderfully eccentric person, and then descends into a terrible illness.
I think you sort of shed skins as you go along in life. You get into your 40s, and you feel like, 'OK, no more pretending.' You get to just be who you are.
There are so many different kinds of relationships, so it's sort of difficult to define what is considered normal.
There's so much of our psychological makeup which is impermissible for us to explore because it's inappropriate or perverse or scary. I'm interested in exploring that in myself. I try to be honest with myself about everything that I feel. I'm not saying I'm able to do that all the time, but it's something I'm interested in.
I'm lucky: almost all my family has lived to be very old. I have one grandfather who lived to be 100.
When I look at women, older than I am, in their 50s, 60, 70s, 80s, and I see women that I admire, I think, 'Oh, I get it; that's how I'm going to be.' I'm not scared. I want to be that.
I do have to take care of myself, not only because I'm in the movies, just for mental health reasons. I exercise for me. You know, maybe it would be nice to not have to do that in order to feel good, but I do. I feel like I have to, to feel good. To clear my head and all of that, so.
I just want to be educated.