Zitat des Tages über Kostüme / Costumes:
My whole background is character acting: weird costumes, fat suits, playing men, playing animals - I've never played anyone with whom there's any overlapping Venn diagram.
My relationship with fashion has always been that each of us stars in our own movies and costumes ourselves to play the part we want. You take blouses and jeans and dresses, and you put them together, and they tell your story.
The charm of Brittany is to be found in the people and in the churches. The former, with their peculiar costumes and their customs, are full of interest, and the latter are of remarkable beauty and quaintness.
It's not that Shakespeare is frivolous, but you spend your time just getting people to dress up in other people's costumes and pretending to be people that they're not, and you think, after the years go by, well, what on earth was all that about?
Ballet costumes are easier that opera because they are designed for movement.
I gradually work myself into a frenzy as the shoot approaches, while we're choosing the costumes or working with the make-up artist. I'm not so much interested in my character as the film itself.
I hate the terminology of 'costume' because my clothes are not costumes at all. I think they're high fashion, avant-garde, and more couture, definitely, and yes, some of my pieces are not particularly wearable, but I wouldn't say they're costumes, I'd say they're more couture.
It was something I was more interested in myself. When I went to see my sister dance at ballet, I was really into costumes and the arts, and my family was also supportive of whatever me and my sister wanted to do. I would say I pushed myself the most to be into design.
As for futuristic costumes, I loved doing 'Gattaca' because I'm a minimalist at heart, and it's a very minimal film. Plus, with Uma Thurman, Ethan Hawke and Jude Law, how could you go wrong?
I'm always going to be making costumes. It's one of the ways I relax my brain. In addition to the pleasure of having the piece, there is a deep and abiding pleasure for me assembling something in my head - learning to know something in its totality in my head, and then putting together all the constituent parts into a cohesive whole.
Allu Arjun is one of the most stylish actors. We should take care of our looks when acting with him because he wears the best of costumes, and if we don't take care, we would look like a housemaid beside him.
I love costumes. My dream growing up was always to have my own costume and prop shop.
You can't do a machine without knowing something about how it's going to work. As for the romantics, the costumes bored me and I don't enjoy doing period clothes.
I'm certainly not 10 pounds away from being an ingenue! Of course I would love to lose 10 pounds. I would never lie and say I don't think about it, but I don't think about it on a daily basis. I love my body. I don't like wearing clothes that hide or cover it. I love wearing costumes that show it off.
John Schlesinger had one of his friends designing it and he had never done a film before. Ten days before it started, they didn't have any costumes. I was rung up and joined up.
'Motorcycle Diaries' had the best costumes - that battered jacket and those linen shirts. I wear linen shirts in real life, too, and I have a nice, simple number I got handed down. As a father, you just stop buying stuff for yourself. It's all for the kids.
I've always worked closely with the designers and whoever's making the costumes. Comfort is the last thing you want on your mind when you're competing. In an ideal situation, you'll have something where you'll put it on and you're fine and you don't have to worry about it at all.
In general, costumes are the first thing in life that let other people know who we are. They indicate who the person is without saying anything.
Historical costumes from the 18th and 19th centuries look so complicated, but when you see the patterns, it's very systematic. I've always been impressed by how the patterns economize the fabric.
Now that I'm on Broadway, it's like NASA engineering with the costumes. I was very grateful for the slightly more high-tech ones in my show, 'Venus in Fur'; our costume designer Anita Yavich is kind of a genius.
Halloween was definitely the biggest holiday when I was a kid. We started making our Halloween costumes in August. Me and my mom. My mom was a single mom; it was just her and I.
Here's the thing with the costumes for 'Mommy': Given the background and social strata that the characters come from, you can't really imagine that they've gone shopping lately, so we went for that very normcore, fashionless era in history, the early 2000s, which was completely transitional.
I love doing costumes. The costume is an actor's first line, so it's gotta be right!
A producer has to know all about everything from set-building to costumes to acting.
I hate Halloween. I hate dressing up. I hate - I wear wigs, makeup, costumes every day. Halloween is like, my least favorite holiday.
My costumes were made for sex appeal not for women.
When I'm working with Red One, we all have to do everything, from making sets and costumes to tearing tickets. Forget about craft services! So when I get on a film set, it's a thrill to be just working as an actor.
My parents read me fairy tales every night and I used to believe I was a fairytale princess, like every young girl. I had all the Disney dressing-up costumes and would play every character.
Everything else - music, cinematography, costumes, design, acting - can be judged at face value. But when you're looking at editing, you don't know what the totality of the material was, and you don't know the working dynamic between a director and an editor - whether the editor was micromanaged or given free rein. It's very difficult.
Every day, my mom and I would watch a different Judy Garland VHS. I love how she tells a story when she sings. It was just about her voice and the words she was singing - no strings attached or silly hair or costumes, just a woman singing her heart out. I feel like that doesn't happen that much anymore.
A big part of the fun of working on Superman has been coming up with new characters and concepts to toss in, helping to design their costumes, things like that. And I spent ages coming up with the name 'Fortress of Solidarity,' so I want to get as much use out of it as I can!
My effort is to slip into any role that is offered to me. The minute you go into those costumes, those grand sets, and start prepping up for the role, you become the part or at least start feeling the part.
The great thing about making picture books is that you can make absolutely anything you want happen. It's a bit like making a film, but you don't need lots of money for actors and costumes - you just need pens, paper, and your imagination.
The first play I did was a funny one called 'The School for Wives', by Moliere. We were wearing the ugliest wigs and the worst costumes you can ever imagine to try to recreate 17th-century France in Singapore. But I got my first real pay cheque from that. I was very happy taking that cheque to the bank.
Acting is not my favourite thing. I don't like wearing costumes and wigs.
The only difference is that religion is much better organised and has been around much longer, but it's the same story with different characters and different costumes.