Zitat des Tages über Dramatiker / Playwright:
I'm a playwright who gets involved in movies when I'm not writing a play.
I do come from a theater background, where the playwright is optimal and king and you have to serve the playwright. So I am, of course, a huge fan of scripted everything.
David Mamet we all know is a great screenplay writer and playwright and a great director. If you like him, you like him. If you hate him, you really hate him. He's someone who's into controversy, you know what I mean? That's David Mamet.
The instinct to impersonate produces the actor; the desire to provide pleasure by impersonations produces the playwright; the desire to provide this pleasure with adequate characterization and dialogue memorable in itself produces dramatic literature.
For a long time I managed to think two things simultaneously, that I am actually a good playwright, and that the next time I write a play I will be revealed as someone who is no good at all.
I'm not a playwright.
I don't think Othello is a jealous man - he is a man who has been deceived by another person, just as everybody in the play is deceived by that person... The playwright uses the word 'jealousy' over and over and over again, but I don't think it has anything to do with being jealous.
I am a better novelist than a poet, playwright, or essayist.
I thought I wanted to be a playwright because I was interested in stories and telling stories.
I fell into playwriting accidentally, took some classes in it, and also took creative writing classes, but I really didn't expect it to be a career because I didn't believe there was a way to make money as a playwright without being lucky and I didn't feel particularly lucky.
I had a sort of bad experiences as a playwright early on, when directors were putting in huge concepts that I didn't intend, or they were stylizing something that was compromising the play, so I started to think like, 'Well if I'm going to fight against this, I should learn how to direct.'
A skillful playwright might have a good time with the story of the assassination of President William McKinley, and especially with the three most flamboyant political figures involved: Mark Hanna, Theodore Roosevelt, and Emma Goldman.
When I was around eight, I learned how to touch-type at school, and I received a computer as a present. I started writing plays, and for many years I thought I would be a playwright.
It was kind of enlightening to become a playwright.
Everybody gets a little dose of Shakespeare. He's the greatest playwright in the English language, but his politics are fairly square.
A prose writer never sees a reader walk out of a book; for a playwright, it's another matter. An audience is an invaluable education. In my experience, theatre artists don't know what they've made until they've made it.
Nothing, I find, has prepared me for the sight of my own characters walking about. A playwright or screenwriter must expect it; a novelist doesn't and naturally concludes that she has gone mad.
I want to be a playwright the way people are bank tellers. I want to keep doing it and have it go steadily and smoothly.
I'm a contemporary playwright in a postmodern world.
If it's stage, the two most important artists are the actor and the playwright. If it's film, THE most important person is the director. The director says where the camera goes.
One is just an interpreter of what the playwright thinks, and therefore the greater the playwright, the more satisfying it is to act in the plays.
My first acting class was taught by a little known playwright, David Mamet, who then cast me in my first play, opposite John Malkovich.
My plays aren't stylistically the same. Just being an African-American woman playwright on Broadway is experimental.
Written by Pulitzer Prize-winning playwright Donald Margulies and directed by Sundance nominee James Ponsoldt, 'The End of the Tour' is a terrific film, among the year's best with its two-man tarantella of wall-to-wall talk - and I watched it through my fingers as though it were Mad Max.
Necessarily, I'm always involved in casting, as any playwright is, because the whole process of putting on a play is a collaborative, organic effort on the part of a bunch of people trying to think alike.
I love what I do, and I love the audience, and I love the fact that I get to do it, and I love, I love our craft very, very, much, and it's a noble craft. We have a responsibility to it, and to the audience, and to the playwright, and to the message. I won't ever care less.
Almost every college playwright or sketch or improv comedian was sort of aware of Christopher Durang - even kids in high school. His short plays were so accessible to younger people and I think that was inspirational to me.
I enjoy all forms of writing, but playwrighting is what made me what I am. Not only working with the ghosts of Chekhov and Ibsen and Shakespeare, but what it is to be a playwright, to be interacting with human beings in the live theater and affect people on such a direct, emotional level.
A novelist, poet and playwright who writes equally well in Shona and English, Charles Mungoshi is Zimbabwe's finest and most versatile writer. His life project has been to interrogate the notion of family.
I grew up in Manhattan and, since my father was a playwright, all I ever wanted to be was a stage actress.
Yes, I am a failed playwright. I had three shows on Broadway by the time I was 30. They all flopped, and I fled.
I'm one of those lazy actors; I like to take what the playwright wrote and work with that.
Hollywood sometimes tends to patronize the interior of the United States. As Horton Foote used to say, the great Texas playwright, that a lot of people from New York don't know what goes on beyond the South Jersey Shore.
Portraying Mozart is a scary task. Whenever I'm asked to portray actual historic figures, it comes with extra accountability. Not just to your director and playwright, but to the man himself and the beloved persona that the public forms.
I was a writer. I just wasn't a very good one. I was lucky enough to have a playwriting teacher who told me that I'd be a better actor than I would a playwright.
But here's the thing: what you do as a screenwriter is you sell your copyright. As a novelist, as a poet, as a playwright, you maintain your copyright.