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I don't know we have a method. We show up at the office. Is that a method? That's about the extent to which it's been formalized, asystematised. We show up at the office and talk, talk a scene through.
I don't finish every story, but I probably write and send out three out of five of them.
Bit parts in Mediocre TV shows won't develop your acting chops.
If we see someone in a wheelchair, we assume they cannot walk. It may be that they can walk three, four, five steps. That, to them, means they can walk.
I don't know if I'd ever sing a whole album because I don't know if I'd want to hear my voice for more than three or four songs.
I want to see people turn and writhe; make them feel things they cannot see and sometimes do not know.
When I was 13, I auditioned for the theater school, and I was there for four years. In the meantime, I did my first three movies, all in Cuba.
My reason, it's true, controls my feelings, but whatever its authority, it doesn't rule them so much as tyrannize them.
To the people I forgot, you weren't on my mind for some reason and you probably don't deserve any thanks anyway.