Zitat des Tages von Quincy Jones:
I was rapping in 1939. It's old. The roots are complex. And kids don't know.
I never cared about money or fame, and I don't care now. I follow the groove, and money always follows.
I'm probably the only one in the world you can name that's worked with Billie Holiday, Louie Armstrong, Ella, Duke, Miles, Dizzy, Ray Charles, Aretha, Michael Jackson, rappers. 'Fly Me to the Moon' was played on the moon by Buzz Aldrin. Sinatra. Paul Simon. Tony Bennett. I'm the only one.
To me it's no accident that all the symphony orchestras around the world tune up to the note A. And A is 440 cycles, except in Germany where it's 444. But the universe is 450 cycles. So what I'm trying to say is, I think it's God's voice, melody especially. Counterpoint, retrograde inversion, harmony... that's the science and the craft.
When I was about five or seven years old my mother was placed in a mental institution and so we were with our father who worked very hard, and we had to figure a lot of things out.
I have all the tools and gadgets. I tell my son, who's a producer, 'You never work for the machine; the machine works for you.'
If you started in New York you were dealing with the biggest guys in the world. You're dealing with Charlie Parker and all the big bands and everything. We got more experience working in Seattle.
Cherish your mistakes, and you won't keep making them over and over again. It's the same with heartbreaks and girls and everything else. Cherish them, and they'll put some wealth in you.
We got into all the trouble you could ever imagine. We figured that if the Jones boys and all the gangsters ran Chicago, we had our own territory now. All the stores, all the crime, we were in charge of everything, my stepbrother and my brother.
I got in the school band and the school choir. It all hit me like a ton of bricks, everything just came out. I played percussion for a while, and stayed after school forever just tinkering around with different things, the clarinets and the violins.
When I was 14, I would sit up in my room and write till my eyes would bleed.
We were in the heart of the ghetto in Chicago during the Depression, and every block - it was probably the biggest black ghetto in America - every block also is the spawning ground practically for every gangster, black and white, in America too.
My father was a carpenter, a very good carpenter. He also worked for the Jones boys. They were not family members, we weren't related at all. They started the policy racket in Chicago, and they had the five and dime store.
I'm not a psychiatrist.
It's easy to get next to music theory, especially between your peers and music classes and so forth. You just pay attention. I had a good ear, so I realized that printed music was just about reminding you what to play.
We stole a box of honey jars one time and went out in the woods and took care of the whole box. I don't think I touched honey again for 20 years. I never wanted to see honey again.
I don't remember feeling love.
I went with Lionel Hampton for three years. Out of that came a trip to Europe.
I was reading Omar Khayyam, Kahlil Gibran, Rumi, L. Ron Hubbard, all sorts of philosophy. Bebop cats are like that. Curious. I wanted to know about everything.
Every country can be defined through their food, their music and their language. That's the soul of a country.
Arts is just as important as military defense, you know? Emotional defense is just as important.
We spent most of our life almost like street rats just running around the street until we were ten years old.
Everybody, no matter what vocation they're looking at, should add music as an essential to their curriculum. Music can be a very important part of your soul and your growth as a human being. It's so powerful.
My grandmother had this high-tech security system - a rusty nail she used to lock the door.
It's amazing how much trouble you can get in when you don't have anything else to do.
Just blow in it and sound bad for about a year and then make it sound a little bit better, and you get a little band together, and then you get a few jobs. You take four guys that sound half bad, but if they're 25 percent each, they can give 100 percent, you know?
Few rappers realize the genre sprang from West African griots through Delta slave songs to jazz poetry and the comedic trash talk of 'the dozens.'
It slaps your dignity just right. I loved the idea of these proud, dignified black men, and I saw the older ones wounded, and it wounded me ten times as much because I couldn't stand seeing them hurt like this.
I got a scholarship to Seattle University and I was writing arrangements for singers and everybody. But the music course was too dry and I really wanted to get away from home.
I'm just a musician and a record producer.
I travel like a maniac. I travel more than anyone I know. I love learning the languages.
Seattle is like a global gumbo, a melting pot with all kinds of people - the rich, the poor, white people, some Chinese, Filipino, Jewish and black people - they're all here.
You cannot get an A if you're afraid of getting an F.
Without the Fender bass, there'd be no rock n' roll or no Motown. The electric guitar had been waiting 'round since 1939 for a nice partner to come along. It became an electric rhythm section, and that changed everything.
Playing the game, and unfortunately, playing the gangster game is very profitable.
I met Ray Charles at 14, and he was 16. But he was like a hundred years older than me.