Zitat des Tages über Trio:
We recorded that trio and it's out on the Knitting Factory label. I've got another record in the can with that group and Marc, which I'll hopefully finish some time before next summer.
When I was about 18, I really started diving into Dave Matthews Band and John Mayer Trio and some of those things that have jazz elements but also a pop feel.
A lot of musicians have a tough time hearing what we're doing in a trio format.
People like the idea of the trio and so I did mostly trio.
In my own recent String Trio I attempt to superimpose two quite different sets of formal strategies, both of which, ultimately, refer back to historical precedent.
I've been saying for almost 20 years that I need to do a jazz project and it ought to be either big band or I should do some jazz songs with a trio or quartet.
There is something magical about three you know - a trio is tight and nicely economical.
I seldom play in a trio, but acoustic music is likely to be lighter, quicker, and quieter.
In the many-mansioned house of Alternate History, I occupy a small corner. The trio of what-ifs I chronicled in 'Then Everything Changed' all begin with tiny, highly plausible twists of fate that lead to hugely consequential shifts in history.
Kingsley Amis was one of a trio of brilliant comic novelists who made English literature sparkle in the twentieth century.
For years the Trio did nothing but play for musicians and other hip people. We practically starved to death.
The 1960s were big for folk music, and the Kingston Trio led the way. They were the ones who started it all. The music was fresh and alive. College kids loved it and their parents did, too.
I'm very fond of the Talent series, and also the Crystal Singer trio.
I've been invited to do a trio with a fantastic jazz guitarist and a harmonica player.
In The Police, in a trio situation - which I've come back to now - it's just so wide open that it does actually provide this arena where you can play with a certain freedom.
I am touring in Europe. I am putting together a trio and a quartet. I am playing solo concerts with my symphonic sounds. I am very much engaged back to playing and recording and everything.
When I was in high school in the '50s you were supposed to be an Elvis Presley, a James Dean, a Marlon Brando or a Kingston Trio type in a button-down shirt headed for the fraternities at Stanford or Cal.
I've got four or five records in my head at a time that I try to work on and I would like to do a guitar trio record next - since The Police I've mostly made records with keyboards.
Charles Pierce, Bea Arthur, and I were like a terrible little trio.
And then as we played more and more as a trio, it became more and more of a situation where we realized we really knew how to use the fourth member of the group - that space. The thing about the trio is that it's the biggest sound you can have with the smallest unit.
It's the first time I have returned to my roots - like going back to be a trio. The fans really wanted me to go back on stage and do the Supremes music, so I went about trying to make it happen. We'll go on tour in the summer.
I always hated jazz guitar. I loved jazz saxophone but I hated jazz guitar. If I would buy an organ trio record I would make sure I'd buy one that did not have a guitar player on it. The sound was awful!
I think 'Lost in Space' certainly shifted from being an ensemble adventure series about a family facing the unknown alien environment to this trio of comedians - Dr. Smith, the Robot, and Will Robinson being the straight guy. It definitely changed its tone over the three seasons and 84 episodes we did.
I was with a folk trio back in '63 and '64, and we traveled all across North Africa, Israel, and Europe.
I started out by myself, but it eventually turned into a trio by the mid-'60s - a conga drum and another guitarist. And that's been mostly what I've worked with most of the time.
When I was working at Trio, I was pitched 'Queer Eye for the Straight Guy' and I knew, whoever gets this, this is a game changer. When I started at Bravo in 2005, it was a hit, and Season 1 of 'Project Runway' was in postproduction.