Zitat des Tages über Techno:
I wrote a techno song after I was deported. I was in America for a little bit, but then I was deported back to Germany. I was very sad.
I'm going to take over on the Techno Comics so I'm going to be dealing in the children's merchandising type department. But that's just setting it up and having somebody run it.
When I started to make music at the end of the '90s, I saw myself highly influenced by hip-hop and techno, but I wanted to apply these ideas to something from the local sound; something that had identity, that would say who we were and where we came from.
I'll leave a store if I hate the music. If it's just, like, techno, I feel like my brain is going to explode.
I used to go to rave parties, too, but I was never savvy with techno.
I'm gonna be honest: I was never really a fan of techno music, dance music.
When playing big festivals, I tend to play big, over the top techno tracks, like hands in the air songs that make sense being played in front of 30,000 people. I steer away from subtlety in the interests of big bombastic dance music.
I'm more into the Spawn toys. They're really cool. They're coming out with a Techno Spawn series and another series, The Dark Ages, which are really cool.
I'm the know-nothing. I'm curious, I try to be entertaining, I try to translate the techno jargon, but in the end I'm the audience's representative.
I am associated with techno epics.
I'm recording an album. It's sort of techno mixed with garbage - you, know, intense in-your-face music.
I grew up around salsa, merengue, bachata, bass music, freestyle, hip-hop, techno, house, rave.
In England and Europe, we have this huge music called ambient - ambient techno, ambient house, ambient hip-hop, ambient this, ambient that.
Well, I love what you would call boys' music, you know, the prodigy, banging techno, music that girls generally don't like.
My views on equality are pretty obvious. I mean, I did play a highly complex lesbian techno DJ on TV, but I know it's not always easy to come out and tell the world where you stand.
I just love a slow groove. I feel so comfortable in it. But I listen to a lot of fast music, a lot of techno and house.
I'm the renegade of funk. I've made house, techno, rock, funk, reggae... That's why I've been on so many different labels.
When I was 16, I really discovered good stuff like Detroit techno or gabba from Holland.
