Zitat des Tages über Show Time / Showtime:
You have Showtime, you have AMC, you have all of these, you know, incredible networks that are now bringing forth their product without the handcuffs, if you will, of trying to sell soap to the entire country.
But as a result of that, there was, once the show ended, there was this talk for sort of four, five months about what was going to happen, and if we were going to move to Showtime, and if we were going to be bought by ABC or whatever.
I did 'Showtime at the Apollo' when I was 10, and it was the first time that I'd ever performed on TV, and it felt great.
I worked on this Showtime series called 'Beggars and Choosers,' this was like 2000, and Bea Arthur guest-starred on our show. I always loved 'The Golden Girls,' and thought she was a supreme comedy actress, supreme actress period.
There's three networks you want to be on: It's either AMC, HBO, or Showtime.
The great thing about Showtime is that they really give us leeway and the range to explore the real dark side of stuff.
Usually the films that I do are released theatrically in foreign markets. In the U.S., they're either picked up as HBO premier films or Showtime first-runs. In today's market, in America, you need at least $50 million for your budget to go to the big show, and I'm not quite there yet. But keep watching - maybe someday I will be.
Showtime has given new, young filmmakers - black, white, across the board - an opportunity to make films, as well as actors who want to cross over into directing.
I've seen shows on Showtime, and they're very provocative, if you will, but nothing to the point that's over-the-top or gratuitous.
As far as the future for the Showtime episodes that have already aired, we are sold into syndication so we'll be appearing primarily on the Fox syndicated networks and then eventually the SCI FI Channel. So, we'll be around for a while.
If it's Saturday night, and you're sitting on your couch watching 'Showtime at the Apollo,' then you're not a man's man.
We signed up for Showtime, which I think put us on a Homeland Security list somewhere.
I have no idea what the economics of the movie business is, especially with all the new Amazon, Netflix, Showtime, AMC, SyFy, and HBO series. But I am intrigued with what feels like a new type of show - the six-to-eight-hour movie. It's a little too long to watch in one setting, but you can watch it over a three- to five-day period.
I did 'Shameless' on Showtime, and I felt like I really tried to go super-method with that, and it would just make my days really hard to get in and out of character.
I'm the bad guy on the rest of Jennifer Love Hewitt's 'The Client List,' I'm the bad guy in Renny Harlin's 'Hercules 3D,' and I'm a movie star - finally - on Showtime's new series 'Ray Donovan.' But most importantly, I'm about to be a daddy, so I'm expecting some 'Dark Circles' for real.
I've been a fan of Showtime for a long, long time, and I've been a fan of the shows that it's had on.
I think where it's going is toward what the music industry is like, where channels will be considered more like labels that carry the type of TV show that you like, and then you'll consume them however you can. For example, I don't really watch Showtime, but I bought 'Homeland,' and I've been watching every episode on my iPad.
There's something that goes on in a new-business meeting that's wonderful to watch. It's like showtime. There are people who are nervous, and there are people who are jittery, and there's so much drama and so much at stake.
Frankly, with HBO and Showtime and cable shows, the DVD box sets and all, you can have a product that doesn't make you feel like as soon as it's projected, it's thrown away. It's really a piece of art.
I really was interested in doing something for a premium channel like Showtime or HBO, just because you get to really let loose. I think they let their storylines go wherever they want, and it's really a special place to work.