Zitat des Tages über Saxophon / Sax:
What about that Dave Brubeck live album, with a version of 'Like Someone in Love' on it, and long sax solos by Paul Desmond? That's what got me hooked on jazz.
As far as other instrumentalists, I used to love mellow sax players like Paul Desmond. I love piano.
As a horn player, the greatest compliment one can get is when a person comes to you and says, 'I heard this saxophone on the radio the other day and I knew it was you. I don't know the song, but I know it was you on sax.'
I'd love to be a saxophonist. I don't know why, but I pretend I'm the saxophonist when I listen to music. I have about as much chance playing the sax as I do learning how to fly.
Now that I am much older, I have had a number of sax players tell me I was responsible for them playing sax. Some of them I have admired over the years.
My grandma did opera singing for the better part of her life; she used to sing all over the place. My grandpa was a sax player, and he used to travel all over the place, too.
I take my job as a rock and roll sax player very seriously. To do it the way that I must do it, I must be in good condition. The better shape you're in, the harder you can rock.
I'm still waiting for someone to call me to cater their wedding. But that's gonna cost you. If you want my cousin Jerez to play the sax, that's going to cost you a little more. The sky's the limit after that.
My father was a jazz tenor sax player. He played in a lot of big bands. So I had that sound around me all the time. The first record that really caught my ear was Clifford Brown's 'Brownie Eyes.' I grew up listening to John Coltrane and Illinois Jacquet. This is where I come from... I love improvisational music.
The beauty of recording in L.A. is that most of the musicians that are on the record live here, so it was easy to get world class artists like Rick Braun to swing by and play a little trumpet, Everette Harp on sax, guitarist Paul Jackson.
He used to have a tent show, a little tent show, and I thought I was going to get a job working one year on the tent show, but he closed it down and I never got to go out there, but anyway, he had a sax and played drums.
Some songs are just going to be acoustic with just maybe some light background stuff going on and maybe violin or something like that. Or sax - I mean, I'm definitely having some sax. That's just what I love. It's going to be jazz-rock stuff. That's what I'm aiming for.
I've just been recording mostly acoustic stuff, drums, and sax, and electric guitar. I'm just still writing songs and what not.
One of my songs was on a jazz station for awhile. It was a song that I wrote for a jazz sax player friend of mine, and I sang and played the guitar on it.
When I was younger, I'd go to the Museum of Television and Radio in New York and watch this beautiful clip of Billie Holiday playing with a bassist, a pianist and Gerry Mulligan, who was a friend of mine, on baritone sax. At one point, she looks over at Gerry, and they just smile. When those moments happen, it's just lovely.
I'd rather somebody punch me in the face than drop my sax.
To me, the sax is rock n' roll, even though electric guitars kind of pushed it aside for a while.
I wanted to be Gerry Mulligan, only, see, I didn't have any kind of technique. So I thought, well, baritone sax is kind of easier; I can manage that - except I couldn't afford a baritone, so I bought an alto, which was the same fingering.
I made the tenor sax - there's nobody plays like me and I don't play like anybody else.
When you play a sax, that saxophone is irreverent. It's noisy; it's a trickster... you cannot hide the saxophone in your hands, so it's a good teacher.