Zitat des Tages über Maggie:
Being in the same scenes as Maggie Smith and Shirley MacLaine is something I will never forget.
Maggie is my sister-in-law, married to my brother David. She is a defense attorney who devotes 25 percent of her practice to pro bono wrongful-incarceration cases.
I admire the work of brilliant actresses such as Judi Dench, Maggie Smith and Helen Mirren, who have had such varied careers. They have never stopped working, and they are as great today as they ever were.
A suicide kills two people, Maggie, that's what it's for!
My entire life, socially, was all around the Maggie era. That was the great challenge as a Sex Pistol was how to deal with Margaret Thatcher. I think we did rather good.
How is Maggie Rowe compensating for her decision to not have a child? Is what she is doing instead enough to justify that decision? What is she doing instead, and why can't she be better at it? What's keeping her from getting a better overall existence score in comparison to an arbitrary sampling of other human beings?
'Downton' is one of the best jobs in the world, and I'm looking forward to the next series for Maggie Smith's wicked sense of humour.
It's rare that I actually have a story in my head. I have events or 'what's the next move?' Like, Maggie, 'where's she going to go in this story, where's she going to end up?' Then the story has to fill in the in-between, and that comes as I'm starting it.
Maggie went out of doors to wash the windows and father came out into the kitchen and said he did not know whether he would go down to the post office or not. And then I sprinkled some handkerchiefs to iron.
The Tom Strong thing was totally for the money. I plan to get looser after I finish this Maggie saga.
There is nothing better than playing a scene with John Cleese or Maggie Smith. It's electric. But I don't think I'm the sort of person who needs to have an outer ego in order to produce something. I realised that through the travel programmes.
I have this horrible weakness. I fall in love with my characters. 'Suspect' started as a one-shot, but I just love Maggie so much, and I love Maggie and Scott and what they have going.
I've been a lucky man. I've only faced one real tragedy: the death of my wife, Maggie, from cancer in 1995.
When you think about such fine actors as Maggie Smith or Michael Gambon, they do all mediums. I think it would be quite sad and a bit dull just to have to stick to one. I like all of them.
Maggie Smith is an amazing woman, and not as serious in real life.
There are a lot of love stories in 'Maggie's Plan,' but the deepest, truly romantic one is between Maggie and her daughter.
I think he came to the front door and rang the bell, and Maggie let him in, and he said he had forgotten his key; so I think she must have been down stairs.
In her previous novels, Maggie O'Farrell has often measured the distance between intimates and the unexpected intimacy of distance - geographic, temporal, cultural. In 'The Hand That First Held Mine' and 'The Distance Between Us,' characters separated by many miles or many years turn out to be joined in ways they never anticipated.
I want to have a scene with Maggie Smith.
My greatest inspiration is my coach, Maggie Haney.
