Zitat des Tages über Kafka:
Kafka: cries of helplessness in twenty powerful volumes.
Contrary to what Kafka does, I always like to refer all of my fictions to the level of reality, He, on the other hand, leaves them at an imaginary level.
In Hollywood, you still have wonderful actors, but it's so hard to work there. To work becomes a Kafka nightmare - it's the last communist country!
I would really hate it if I could call up Kafka or Hemingway or Salinger and any question I could throw at them they would have an answer. That's the magic when you read or hear something wonderful - there's no one that has all the answers.
I went through a whole phase when I was younger of being obsessed with Tolstoy and Kafka and Camus, all those really, beautiful, dark depressing books.
A friend of mine that I was in a band with started me on Kafka, which in turn led to Camus and Sartre.
Kafka's inevitable tropism for the allegorical puts him in marked opposition to the realism that dominated the literary world of the first half of the 20th century.
Kafka truly illustrates the way the environment oppresses the individual. He shows how the unconscious controls our lives.
My main ambition as a teenager was to somehow resurrect the dark-minded writer Franz Kafka and become his girlfriend.
I've been wrestling with Kafka since I was an adolescent. I think he's a great aphorist, a great letter writer, a great diarist, a great short story writer, and a great novelist - I'd put novelist last.
When I wrote 'Your Republic Is Calling You,' it was Franz Kafka's writing that I had most in mind, and James Joyce's 'Ulysses.' Entirely out of the blue, Kafka's characters receive an order to go somewhere, and when they try to comply, they never quite manage it. Ki-yong in 'Your Republic Is Calling You' is precisely that sort of character.
One of the influences of Kafka over later writers is not so much in the content of his work as in its form.
My views about the safety of Jews in the world have not been changed by the work on the Dreyfus affair or, for that matter, by the work I did on Franz Kafka for the book on him I published a year before the Dreyfus book appeared.
I think of reading like a balanced diet; if your sentences are too baggy, too baroque, cut back on fatty Foster Wallace, say, and pick up Kafka as roughage.