Zitat des Tages über Hauptfigur / Main Character:
Your opening should give the reader a person to focus on. In a short story, this person should turn up almost immediately; he should be integral to the story's main action; he should be an individual, not just a type. In a novel, the main character may take longer to appear: Anna Karenina doesn't show up in her own novel until chapter eighteen.
I've always loved pinup art, and I've always enjoyed drawing women. I think it was a conscious decision that has resulted in me getting almost exclusive work on comics where the main character is female.
I don't know quite how a story develops in my head. It is a bit chaotic. If I am working on a series, one of the main characters at least is already in existence as well as some setting and minor characters. Finding the other main character can be a challenge. Sometimes this character already exists in a minor role in another book.
Doing field trips rather than simply researching online allows me to experience the story from the point of view of my main character; you can't get that by sitting at a desk.
My friends once told me I remind them of the main character from the American comedy series 'Curb Your Enthusiasm.' I thought they must mean a sunny, affable girl-next-door, but instead I was confronted with Larry David! Crabby, moody, perversely neurotic Larry David. And the thing is, my friends were right.
I guess when you take a look at the book 'Atlas Shrugged,' I think most people always like to identify with the main character - that would be John Galt. I guess I identify with Hank Rearden, the fella that just refused until the very end to give up.
I like books that have razor-sharp plotting that snaps and moves along. It's not about the main character being different at the end. I don't want my main character to be different in the end. I still want him committed to his ideas, to be steadfast, true and loyal.
I don't want to work just for the sake of working. Generally, if a good script comes in, I read it, and if it appeals to me, it appeals to me. And it doesn't have to be anything - it doesn't have to be the main character; it doesn't have to be a huge part.
To me the interesting main character is never the one without flaws.
My dad calls me 'Mac' a lot, from 'Mike Tyson's Punch Out' - Little Mac is the main character. I was obsessed. I can still beat Mike Tyson on 'Punch Out.'
The same way that you are the main character of your story, you are only a secondary character in everybody else's story.
I couldn't bloody believe a prime-time TV show would have an Iraqi ex-Republican Guard torturer as a main character.
There are relatively few science fiction or fantasy books with the main character being an old person.
I think the character does tend to suit an episodic thing, because what's fun about him is that he doesn't care about anyone else, and it's very difficult for a main character - a lead character - in a movie to not care about anybody else.
Allowing alternative narrative modes in popular entertainment may seem obvious, yet when you turn a pilot into the people upstairs and the main character isn't after what she wants by the top of page two, you get treated as if you've failed at writing.
In the biographical novel, there's only one person involved. I, the author, spend two to five years becoming the main character. I do that so by the time you get to the bottom of Page 2 or 3, you forget your name, where you live, your profession and the year it is. You become the main character of the book. You live the book.
Working on 'Nightmare Before Christmas,' I had endless arguments, like the studio saying, 'You can't have a main character that's got no eyeballs!' 'How is anybody going to feel for somebody with just eyesockets?' You know? So, it's those kind of things that really wear you down.
I like emotional horror. I don't like horror movies. I hate them. But, if you can make emotional horror movies, I'm in. If I can care and root for the main character, then I'm in.
When my main character in 'Heat' climbs the tower, the highest diving platform, hoping to resume competitive diving after an injury, I am there with her, sensing the cold grit under her instep. The details are what matter - they are the experience.
I would love to write a script where the main character is a woman. I know I can direct a film where the main character is a woman. I cannot write that film.
It's always scary when you're doing a sequel to a film, because you don't want to just repeat the first film in a different location like most sequels. You want to do something totally different, and something that actually expands the world of the main character.
My dad didn't have a formal education, but he had a wonderful vocabulary. So in 'Harvest,' I wanted my main character to be an innately intelligent man who would have the vocabulary to say whatever he wanted in the same way as lots of working-class people can.
People are always thinking that I'm the main character in my books, but each one has been different, and sometimes they've been men.
It's really a misconception to identify the writer with the main character, given that the author creates all the characters in the book. In certain ways, I'm every character.
I write both fiction and nonfiction. I begin my fiction with the main character. The story comes later.
Good comedy films, if you listen to the score, the music is not trying to be funny. It's always, in a way, underscoring the tragedy and struggle of the main character.
Whenever people say they didn't like the main character of a book, they mean they didn't like the book. The main character has to be a friend? I don't get that.
Even as I was writing 'Empire State,' I knew there were more adventures for the main character, private detective Rad Bradley, to have. I also knew that the world was far larger than what I'd presented in book one.