Zitat des Tages über Frühe Arbeit / Early Work:
Some of our early work was two minutes twenty when it actually came out on vinyl, very, very, very short. Sometimes if you made a three-minute record they would make you do an edited version for radio, particularly in America.
My first two books are out of print and, okay, they can sleep there comfortably. It's early work, derivative work.
I like Cronenberg's early work; his '80s films had all these weird, amorphous flesh objects in them.
It is very important that our young people have constructive early work experiences. But it is equally important that their jobs are safe and complement their education, rather than complete it.
I don't want to be an artist that gets stuck doing one thing. I don't want to be an artist who people look back at and say, 'His early work was really great.'
With my early work I got eviscerated by my male professors, and so you learned to disguise your impulses, as many women have done. And that's definitely changed.
Formula for success: rise early, work hard, strike oil.
My formula for success is rise early, work late, and strike oil.
An artist's early work is inevitably made up of a mixture of tendencies and interests, some of which are compatible and some of which are in conflict.
My early work and publications centered around expanding on the analysis of life insurance in my dissertation and its relationship to investment banking.
I think everything I do is my early work. I can't wait to get on to the later stuff.
When I and the other young artists were working in comics, our work carried with it a particularly American slant. After all, we were Americans drawing and writing about things that touched us. As it turned out, the early work was, you might say, a comic book version of Jazz.
Once an organization loses its spirit of pioneering and rests on its early work, its progress stops.
There is in my work a very strong religious foreground and background. In the later work some of that tends to diminish, but it's certainly present in the early work.
Then I realized my early work did have something special that audiences adored apart from what I humbly thought about them. They occupy a distinguished niche in Italian film history and probably always will.
I majored in Southern history in college, and much of my early work at my first job - as a staff writer at 'Memphis' magazine - focused on race relations.