Zitat des Tages über Frankenstein:
Mass consumption, advertising, and mass art are a corporate Frankenstein; while they reinforce the system, they also undermine it.
When I was a kid, I loved 'The Curse of Frankenstein,' 'The Creeping Unknown,' 'X: The Unknown.' I love 'Forbidden Planet,' 'The Thing from Another World.' They were science fiction/horror movies, generally.
So many people of my generation all grew up with that shock theater package on television of 'Frankenstein,' 'Wolfman,' 'Dracula,' 'Mummy,' all the Universal stuff.
I'm primarily thought of as a rocker, and certainly 'Frankenstein' had a very dramatic power rock image. It was almost a precursor of heavy metal and fusion. But I also love jazz and classical and if there's one common thread that runs through all my music, it is blues.
You know honestly I think there's a Dracula, a Wolf Man, and a Frankenstein's Monster in all of us. They are sides of our own character so that's why I think we can relate to them in terms of a 'I know how that feels' kind of thing.
If you choose to be Frankenstein with Botox and plastic surgery, you've bought your own private mask.
As far as film goes, I enjoy all Hollywood films and all Horror films like The Bride of Frankenstein, which also might be my favorite. I like 60's and 70's Italian and Spanish Horror films.
We live in a Newtonian world of Einsteinian physics ruled by Frankenstein logic.
I started seeing in the monsters as a more sincere form of religion because the priests were not that great, but Frankenstein was great.
But I'd have to say Young Frankenstein, which I can watch forever.
Without my Vulcan cat suit, Frankenstein wig and pointed ears, I don't get recognized. I love the fact I'm a shape shifter who can go unnoticed.
At 5 years old, I saw 'Abbott and Costello Meet Frankenstein,' and I was so scared when Costello sat himself down in the lap of the monster, not realizing where he was. My friends teased me. They were older, 8 years old. And my goal was to become a mad scientist and get back at them. And here I am, mad as hell!
Ambitious of vision and swooping of camera, 'I, Frankenstein' is no 'I, Robot,' let alone 'I, Claudius,' but it's definitely watchable on a cold Jan. evening or, a few months from now, on your I, Pad.
It's been an old saw in science fiction for a long time, since 'Frankenstein,' that we're going to create life that's going to turn on us.
On 'Oz' one day, I got a chunk of a camera embedded in my head, and I was passed out on the floor geysering blood while the set medic stood over me, freaking out. No help whatsoever. I ended up going to the ER and getting nine stitches in my head - real Frankenstein stitches.
When I was a kid, going to Universal Studios, which was all I wanted to do, all the time, there was a show that was all the monsters, and I loved that show. I was obsessed with Dracula. I was obsessed with Frankenstein. I was obsessed with the Wolfman.
I began to pick apart our knowledge of Frankenstein and discovered that the public's idea of this myth comes from a million different places... I became committed to recontextualizing it all so it all worked in one story.
There are too many remakes, too many reimaginings. Nothing new, and that's always a bad sign. They remade 'Frankenstein' 26 times between 1930 and 1970, so it's not a new phenomenon.
'Robopocalypse' joins a proud tradition of techno-apocalyptic tales, stretching from high-flying Icarus, to Frankenstein's monster, and to many a giant radioactive creature who has crashed the streets of Tokyo. And then, of course, there's the Terminator.
