Zitat des Tages über Folklore:
I have a great advantage over many of my colleagues inasmuch as my students bring with them to class their own personal knowledge of national, regional, religious, ethnic, occupational, and family folklore traditions.
I love gothic monsters, but I like to root them more firmly in the traditional folklore from which they sprang. Or at least, I like to evoke the feeling of those folk stories.
A lot of my stories are inspired by Japanese folklore or literature or movies: I've done stories based on Kabuki and Noh plays, and on Kurosawa's 'Yojimbo' movies.
What I find interesting about folklore is the dialogue it gives us with storytellers from centuries past.
I have not seen 'The Lion King.' I don't do black folklore. And I'm black.
The medicines of today are based upon thousands of years of knowledge accumulated from folklore, serendipity and scientific discovery. The new medicines of tomorrow will be based on the discoveries that are being made now, arising from basic research in laboratories around the world.
In more recent years, I've become more and more fascinated with the indigenous folklore of this land, Native American folklore, and also Hispanic folklore now that I live in the Southwest.
If a student takes the whole series of my folklore courses including the graduate seminars, he or she should learn something about fieldwork, something about bibliography, something about how to carry out library research, and something about how to publish that research.
I have a better internal and intuitive understanding of folklore and myth than science and technology, so in that way fantasy is easier.
In my introductory course, Anthropology 160, the Forms of Folklore, I try to show the students what the major and minor genres of folklore are, and how they can be analyzed.
Mollie Hunter was both a great friend and a very fine writer for children. She was fascinated by Scotland's history and its folklore - almost all her novels reflect her tremendous knowledge of both.
I've always liked telling stories. That probably came from my dad, who definitely had the gift of gab and who wove a kind of personal folklore about his youth - stories full of adventure and ghosts and wild antics.
As I travel the world, it seems that younger people identify me merely with some of the folklore in the 'Chuck Norris Facts' - those hyperbolic sayings that elevate my abilities beyond my capabilities. Others view me in light of the character I played in 'Walker, Texas Ranger' or in one of my 20 tough-guy films.
When I was younger, I was in love with everything about the British Isles, from British folklore to Celtic music. That was always where my passions were as a young girl, and so I studied folklore as a college student in England and Ireland.
Read the folklore masters. Go to galleries. Walk in the woods. That's what you need to be an artist or storyteller.
My 'Rot & Ruin' series is a post-apocalyptic adventure for teens. My 'Joe Ledger' novels are science-based action thrillers for adults. My 'Dead of Night' stories are zombie tales for adults; my 'Pine Deep Trilogy' is classic horror for adults, and I've written nonfiction books on topics ranging from martial arts to folklore.
To us, basing stories on christianity is the same as basing stories on Roman mythology, Native American folklore, or unsubstantiated government conspiracies.
I love mythology and folklore, and I respect the time, money, and opportunity that a film gives to an audience. It's a chance to empathize, reflect, and learn, so I really want to understand before I sign onto a project: 'What's the potential of this thing? What are we seeing and learning? What are we empathizing to?'
If you take myth and folklore, and these things that speak in symbols, they can be interpreted in so many ways that although the actual image is clear enough, the interpretation is infinitely blurred, a sort of enormous rainbow of every possible colour you could imagine.
When fairy tales are written in the west, they're known as folklore. In the east, fairy tales are called religions.
Romney Marsh remains one of the last great wildernesses of south-east England. Flat as a desert, and at times just as daunting, it is an odd, occasionally eerie wetland straddling the coastal borders of Kent and Sussex, rich in birds, local folklore and solitary medieval churches.
I get a lot of inspiration from research in mythology and folklore. I find that, you know, stories people told each other thousands of years ago are still relevant now.
They do not merely collect texts; they must also gather data about the context and the informant and, above all, write an analysis of the items based upon the course readings and lecture material on folklore theory and method.
There is more to folklore research than fieldwork. This is why in all of my other upper-division courses I require a term paper involving original research.
I've had a lifelong obsession with urban legends and American folklore.
My academic identity is that of a folklorist, and for many years I have taught only folklore courses.
I developed some unique software to public it on the web that I call the Folklore Project.
In the older folklore, faeries were frightening beings. In fact, it was such a bad idea to get their attention that people would use flattering euphemisms for them, such as 'the people of peace,' 'the little people,' and 'the good neighbors.'
I love studying folklore and legends. The stories that people passed down for a thousand years without any sort of marketing support are obviously saying something appealing about the basic human condition.
The southern Chinese are a mixture of the Han, or northern Chinese, and the local tribes, some of which allowed women a great deal of freedom - much to the horror of the Chinese who were good Confucians. As a result, the folklore from southern China has strong females; and I found that the folktales mirrored my own experience.
I just love rolling up my sleeves and doing research, and I especially love doing research on the origins of folklore and the origins of mythology.
I'm inspired by films from the early '50s, especially Jean Simmons in 'The Clouded Yellow' - and by vintage swing, psychobilly gigs, sea shanties, and English folklore.
Faeries are associated with wild untamed nature, with art, and with death - so the folklore is rich with different stories to explore.
Undertaker certainly is a cornerstone of WWE, and just as I say to myself that I really would have liked to been able to get to know and certainly get in the ring with Andre the Giant, just because of all the respect and folklore that went around with Andre, I think The Undertaker has that same sort of respect and folklore around him.