Zitat des Tages über DJs:
Holland is a really small country, but with a very strong club and festival scene. Dance music has been huge in Holland since the late eighties. So there were a lot of opportunities for producers and DJs to release records and play live.
But then I quite enjoy when something goes wrong, because when I watch DJs that take it very seriously, it's nice when you make a mistake and laugh about it.
It's a really diverse time in music, with all these different DJs and all these different categories, and we are all taking footnotes from everyone else. There are no real genre boundaries anymore; you can take a trance idea and put it into a trap record - it's not that uncommon.
I've been DJing mostly, and most DJs end up producing. That's just me.
And I know how many DJ pools have grown and I know how DJing has grown in the overall, but that was the technical side of it to me. DJs were rolling around, looking for stuff to buy and looking to see what was in the store when they get there.
I like myself still kind of being... because DJs used to be the background guy - the guy who was just doing the music - I see myself more as that guy than being on the stage.
From the age of 14 to about 20, I bombarded record companies and DJs with my demos. I was desperate to get it out there. Most of the time, I got nothing back.
Now, the DJ becomes a star in itself because of the way he programs the songs with lows and then highs and then slowing it down. The big DJs, like Tiesto and Deadmau5 and all those guys, they are very, very creative.
I don't see anyone avoiding the Stones because DJs make jokes about them being a part of the Geritol set. All it does is make the DJs look stupid.
I can read a crowd pretty well. I know what to play and know how to keep it interesting for them and for myself as well. Most of the other DJs are more like producers so they become famous because they make hits and then they start DJ-ing. But I'm more from the other way around.
Dance music has evolved very much. From DJs playing at the Olympics, to playing at the Super Bowl, working with Cirque Du Soleil and even getting recognized at the Grammys with awards, dance music is growing in a big way.
Fewer and fewer bars are doing live music. Instead it's more DJs and dance parties.
I was really ambitious, so I was innovative. I was one of the first DJs to do live calls, 'cause I found this phone device that would pick up other people's voices.
A lot of people felt I was getting work because I was Boy George. My response at the time was that there's a lot of DJs making records, they're not all making good records, but they have the right to do that.
Where I grew up in the middle of Georgia, hip-hop is king, and on Friday and Saturday nights, local DJs do mixes. It's a great mix of local stuff and then some of the bigger hits and remixes of the hits, and it just has this nice flow with a dirty-South sound to everything.
I've made my records and I've done all the interviews. I've done lots of long tours. I've made stupid videos. I've done all that stuff and learned all the lingo and gone to radio stations and shmoozed with DJs on the air and met retail people.
There's a lot of creativity in the industry, but I don't necessarily think that the most creative DJs or producers are always the biggest ones.
I DJ and I'm a harsh critic of DJs.
There are some nights where I don't get enough sleep, or we're traveling a lot. And then I'll go do a radio show, and the DJs are usually so energetic. And they're like, 'Why aren't you excited?' I say, 'I am excited. I'm just Swedish. This is my excited. I can't get to an American excitement level.'
I basically taught myself how to DJ, but I've been inspired by DJs throughout my whole career. I have some good friends that would hook us up with music. You learn some little things here and there from each DJ and you just take it and put your own style into to it.
I always tell up-and-coming DJs you have to really love what you do and find that interest to drive you. It requires so much attention to detail, and it takes up a lot of your time. You hear a song, and there are so many little pieces that make that song work. It requires a lot of patience, diligence and resilience.
There's a lot of creativity in the industry, but I don't necessarily think that the most creative DJs or producers are always the biggest ones. I think it would be nice to see more of an open culture to different music. I think that's happening. With Spotify, I think people are discovering a lot of artists they might not discover otherwise.
The producers and writers of dance music are becoming the stars, not so much the DJs.
I did a music festival in France. I'm not going to name names, but there were bigger bands and DJs on before me, and throughout their set, all I could hear them chanting was 'Hodor!' And I was, like, 'Oh, please stop! It's so disrespectful to the other acts!' In a way, obviously, I loved it, but it was kind of embarrassing at the same time.
The modern stuff, I can take it or leave it. I like its danceability, but the DJs talk a lot of nonsense.
