Zitat des Tages über De Niro:
I would like to work with Jean Reno, and I think it would be amazing to work with Jim Carrey. I would quite like to work with Robert De Niro and probably Christopher Walken.
Like De Niro. He's one of the best character actors we have ever had.
The life of an action star is very short. I want to be an actor like Robert De Niro, like Dustin Hoffman or Clint Eastwood who in their 70s or 80s can still act.
Nobody is more truthful when he's acting than De Niro.
I see film roles as lovely presents that come along now and again. I feel really lucky and say thank you very much. And if they fly me to L.A., I think, 'God, I must really be doing well.' I've worked with De Niro and Brando and Pacino, and that's made me feel very lucky. But the films have never meant a lot to me.
Robert De Niro... It seemed like a pretty cool thing to do to put his name on my resume next.
I would have to say honestly I was very pleased to be in a film whether it was good or bad with De Niro, Norton and Brando even if I don't have any scenes with them, I thought it was pretty good company to keep.
De Niro was a hero of mine. And Sean Penn. But I've realized I can't operate at that level of intensity. That's okay for movies. On TV, when you live with horror day in and day out, you have to protect yourself.
I always loved Hanks in 'Philadelphia' and 'Forrest Gump' and watching how versatile he was. That shaped my impression of what someone was able to do. Of course, everything De Niro came up with was always something I was taken by.
When I was growing up and somebody like Robert De Niro had a movie come out, it was a cultural event. Because he had such a confidence and a single mission that was so intimate.
It's interesting to help someone find their vocabulary. There would not have been a De Niro without a Scorsese.
Scorsese and De Niro taught me to bring out the natural side of myself. And they taught me to think of myself as the average guy. Sometimes the average guy belongs in a role more than your matinee idol-type of person. We have to have people we can relate to.
I like people like Robert De Niro and Anthony Hopkins. And Gianfranco Zola, who played for Chelsea and Italy. He's an artist with his feet.
De Niro didn't gain all that weight to play Jake La Motta just to prove he could get fat - every single one of those transformative things is grounded in the character.
The film I did with Bobby De Niro, 'The King of Comedy' - an awful lot came to me out of that movie because De Niro never allowed me any room to be crazy. If I had tried to play it the way I would normally play it and get hysterical, Bobby would punch me.
As a younger actor, I had delusions. I would dream of Scorsese and De Niro; I would meet people, and it would be like this, and it would change moviemaking in France, and Paris would become the center of the world.
I don't think more concentration is required for Robert De Niro to do what he does as for Jim Carrey to do what he does.
It may be a mistake to say this, but I know my limitations as an actor and I know what I can and can not do. Robert De Niro can do everything. I can't. A 'Highlander' movie is basically my thing. What I'm attempting to do is develop my ability as an actor and try to be the best I can be in the fantasy/action genre.
As an actor there's a lot of scrutiny and, even when you've had success, it becomes about sustaining that success. A friend of mine described it as a peakless mountain. Even for De Niro there's Pacino and for Pacino there's De Niro.
There are people who do De Niro and Walken impersonations.
Well I'd really love to work with Robert De Niro, because he's still the most talented actor out there.
In my twenties, I thought I was Robert De Niro and I invested all of myself in my acting. But, as I've got older, I've calmed down a bit. I've thrown my game plan out of the window.
Take characters that Nicholson or De Niro play: they're not always tough.
Robert De Niro taught me how to listen, and how to be part of the conversation. It's not just about reading your lines and saying what's in the script; you have to understand your character, along with the other characters so that you can always respond.
I don't watch anything of mine much. I haven't gone to drama school, or college, either. I just like to watch other actors in action. I learned so much from working with De Niro. I'd be in a scene with him where I was supposed to be acting, and I was just watching.
There are a lot of actors whom I love, who personalize their work. I want to know everything about them, like De Niro, like Gary Oldman.
I cannot take away the fact I am a small-town boy from India, from a lower-middle class family, and was actually standing in front of De Niro - not on an equal level, but as an actor, on the same pedestal.
'Whatever it takes' is my opinion of method acting and, indeed, any other kind of acting. Look at Brando and De Niro. But it's not my cup of tea.
If you are handed something, it's a blessing and a curse. Look at hip hop artists, they produced everything themselves. Even people like Robert De Niro are getting into production. Again, it's art vs. marketing. Not everyone can take the risk. You have to break a few eggs to make a good omelet.
I would love to have a part opposite a great actor - like, say, Pacino or De Niro or Hoffman. And to work with a top director. That's my dream.
When I was working on 'Men of Honor' with Robert De Niro, there's a pipe that he has in the movie, and it took us about six weeks to find the right pipe for him to use and feel comfortable with. It was a great choice, because it was really about what worked with the camera at that time.
Every star, whether it's Harrison Ford or Robert De Niro, is remembered by one film. Persis is a star in the sky - how can a star be forgotten when all you have to do is look up and see her?
I've had a fantastic career playing great parts. In many ways, the colour of my skin has been an asset because I've been asked to play certain roles as a result. I don't apologise for playing them anymore than Robert de Niro is sorry for playing American-Italians.
Robert de Niro has always been fascinating to me. And if John Cazale were still alive, that would be a man I'd love to work with. I'm a big fan of Paul Thomas Anderson's films - I would be honored to work with him. I think he's a brilliant director, and he gets such compelling stories out of his actors and out of his crew.
