Zitat des Tages über Archetypen / Archetypes:
I look at the story, I look at the idea and just try to think of it in terms of that whole body of myth and see where the characters fit in and what they ought to be doing-all those archetypes are there to play with.
Most religious stories and mythologies have some sort of similar root, some sort of global archetypes.
That's what noir feels like to me. It feels like some kind of recurring dream, with very strong archetypes operating. You know, the guilty girl being pursued, falling, all kinds of stuff that we see in our dreams all the time.
More often than not, however, the person who flatly states 'Elves aren't like that!' is hard pressed to describe how they really look.... as if Tolkien has summoned archetypes from so deep in our minds that we can only recall them incompletely.
We live with our archetypes, but can we live in them?
In a few decades of reconstruction, even the mathematical natural sciences, the ancient archetypes of theoretical perfection, have changed habit completely!
We like our archetypes and heroes to be what they are at face value. And life doesn't work out like that.
I love Athena. I love all the goddesses and the archetypes and what they represent because I think they're always going to be relevant not just to women but to humanity. They're living energy. There's a lot we can still learn from them.
There are many people making a difference. I mean, Dr. King never held an office. Gandhi never held an office. There are people who are archetypes in our society who have never held office and made a difference.
That's not the part of the story that I'm interested in, anyway. The part that I'm interested in is all the personal stuff. I tried to base the powers on family archetypes.
With respect to the respective French and German traditions you are no doubt correct, although I am reluctant to see individual achievement reduced to archetypes.
The whole film is about people being convinced that they can reduce themselves to their archetypes.
'Illustrado' is not an autobiography. Only the ideas are autobiographical; the ideas of bitterness, frustration, unchanging society, an individual lost, social awkwardness... The book satirises archetypes from across Filipino society, and I felt that the least I could do was offer myself up, too.
A lot of names in America and Europe have their roots in Latin and Greek words. A lot of them go back to archetypes and their stories.
You have to carry so many archetypes as an actor, especially as a blonde-haired, blue-eyed one.