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I outline and outline and outline, and then I'm very specific about the stuff I write. That's my process.
The England I write about doesn't strike me as the real one.
I write characters and stories that move me, and I write from the heart.
Today, I'm very careful not to mention very specific locations when I write or give captions.
I write for what's left of the eight-year-old still rattling around inside my head.
Every time I write a nonfiction book I get sued.
I don't use a pen. I write with a goose quill dipped in venom.
Everything I've written I see in a very precise way and I hear in my inner ear.
Every word I write I suspect the next day.
