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I don't really want to repeat myself. For the most part, I always want to be doing something new. But there aren't a lot of gritty roles out there for women, and they are so fun to play, everyone wants them.
I see something new in 'Gosford Park' every time I watch it.
Earth, Wind & Fire was something new. I wanted to bring something innovative to the music. It was out of a desire to create excitement with music that was pleasurable to play and listen to.
The thing I love about science is finding out something new and different.
I saw 'The Godfather' in London when it came out in 1972 and loved it. I've seen it probably 20 times - I always find something new.
It's a shame, but every time I get something scientific in the script, I read up to find out what I'm talking about - but then I'm on to the next script and it's forgotten.
There's a high point in your career, and then people get bored; they want something else to come along.
That's the thing about musicians: The priority is to create something new that's never been before. And you put your life on the line every time that you play.
The best thing that I got was rehearsing with my father. It was always about the process of figuring things out, and trying something new, and having another take on something and keeping it alive.
