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Being the director - way fancier than 'just' being the writer. People call you 'talent.'
I do think that's so much a part of what being a director is - in working with actors - to really try and be sensitive to what each actor needs to get to where he wants to be.
I understood it's a business as far as when you're drafting someone, and you want a guy you can trust. But there were no questions on my ability or character.
When I talk to the camera, mate, it's not like I'm talking to the camera, I'm talking to you because I want to whip you around and plunk you right there with me.
It's aggravating to me when you meet people that are just... you know, there's a difference between wanting to be an actor or a writer or something creative, and just wanting to be seen.
I have pretty thick skin, and I think if you're going to be in this business, if you're going to be an actor or a writer, you better have a thick skin.
I wanted to just surround myself with people who I think are better than I am, whether they're actors or directors or producers, so that I could learn from them.
I don't want to find myself at the age of 60 waiting by the telephone for someone else to decide if I am capable of being in what might be a crummy TV production.
My dad is a successful television producer, director and writer, and my mom's a director and writer. Even when I was young, I wanted to be an actress.
