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I'm trying to build something where people will go every day.
Dawn was written well before 9/11. People speak a lot today about the banality of evil, but not all evil is banal. Some of it is carefully structured and well-thought-out. That's where the real danger lies.
There are still people who believe in that and wake up every day believing it's possible, and invest their whole selves in that.
I wanted to give people - which is fairly bizarre considering my whole life is contemporary dance really - I wanted to give people a really fulfilling sense that they had seen a white classical ballet - in a very pure form.
It is a clear truth that those who every day barter away other men's liberty will soon care little for their own.
I really don't want to go to work every day convincing myself of what I'm saying. I want the material to make me a better actor; then I try to return the favor to the material.
Every day that is born into the world comes like a burst of music and rings the whole day through, and you make of it a dance, a dirge, or a life march, as you will.
I'm just really thankful to have the chance to portray a character you don't see every day.
I've never danced professionally as a ballet dancer, but all of my training is ballet, and I am a Fosse dancer.