Alles / Everything Autobiographisch / Autobiographical Beteiligt / Involved Elemente / Elements Gedichte / Poems Gewesen / Been Irgendein / Any Jeder / Each Kriminalität / Crime Noch nie / Never Persönlich / Personal Romane / Novels Stark / Strong
The film of tomorrow appears to me as even more personal than an individual and autobiographical novel, like a confession, or a diary.
I've never been involved in something where people cared about my personal life and the gossip of it!
I'm interested in authentic experience and the essence of that creative place, and where those myths begin and where they become real on any level.
Personally, I'm a big reader, and I've never wanted any of my favorite novels to be made into movies.
Nowhere, absolutely nowhere, has there ever been a hint, not even a whisper, that a Black person was involved in the assassination of the president. But that's the kind of thing you have in this movie.
Today each composer is not only involved in aesthetics, but he's actually trying to create his own language.
You don't even have to leave your house: you do your work from your house; you can order anything you want from your house; you don't have to leave your chair. Everything's been designed so that you never leave your computer chair.
We collaborate on everything. I'm involved in the writing and pre-production. There's a whole bunch of people who keep in touch at every step about everything.
I'm disappointed in acting as a craft. I want everything to go back to Orson Welles and fake noses and changing your voice. It's become so much about personality.
