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You feel this pressure that people will take you more seriously if you play guitar, but I've decided I'm a singer and that's enough.
I always said put me in front of 40 or 50,000 people and play hockey, I'm comfortable there. Put me in front of 50 people to talk or get in front of, and that's where I'm probably the least comfortable.
It's great if you can afford to carry a string section on the road with you, but most people are used to the idea of just a keyboard player creating those string sounds.
Everybody told me that Taiwan is a very polite society and that people don't like gossip and scandals here. But they just pretend they don't like it. We have, by far, the biggest newspaper in Taiwan. They just buy it to read it at home.
I have always loved running on the roads, ever since I used to take part in relays for my club when I was 12 and 13. I felt really at home on the surface.
To go back and read Swift and Defoe and Samuel Johnson and Smollett and Pope - all those people we had to read in college English courses - to read them now is to have one of the infinite pleasures in life.
You can't be trying to make a film that pleases all people, you know, so it's not a concern of mine.
I was homeless and I was in San Diego and I started singing in a local coffee shop and people started coming to hear me sing.
This joyfulness that I felt when I sang, and this need to communicate with people, these are my two strongest points. I've always been a people person. I love people; I like to be with people, and when I got on stage, I was home free.
