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'The Replacements' is where I met Jon Favreau, and we just clicked like, you know, like kids at a camp. And he wrote my next movie, which was 'Made.'
There have been many times in my life when I felt like I'd never pick up the pieces, but God has always given me the power to do it.
If all the ways I have been along were marked on a map and joined up with a line, it might represent a minotaur.
As a child, my mother told me lots of fairy stories, many her own invention. She, too, tended to reverse the norm.
I've never been attracted to sci-fi per se. People tell me I'm in a genre kind of movie, but it never crossed my mind that 'The Matrix' was genre.
Varese, Apollinaire, Ezra Pound, Leger, Gleizes, Severini, Villon, Duchamp, Duchamp-Villon, Marie Laurencin, Cocteau and many others were to me household names in the literal sense - names of familiar figures around the house.
Rainer Maria Rilke was admittedly not a Dockers tagger, but a sort of European equivalent: a German poet - in many respects, a charlatan masquerading as a genius who turned out to be a genius.
My movie now, to me, is going to help so many people to realize that it is okay to ask for help. It took me so long to be able to ask for somebody to help me.
How many emperors and how many princes have lived and died and no record of them remains, and they only sought to gain dominions and riches in order that their fame might be ever-lasting.
