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I want to prove that Holst's 'The Planets' can be as much of a sensory overload as a concert by the Grateful Dead, and just as exciting.
When the Grateful Dead needed a quality sound system to deliver our sonic payload, I learned electronics and speaker design.
Our music over the years has been very cinematic. It's surprising we never really got into film soundtracks.
The Grateful Dead are our religion. This is a religion that doesn't pay homage to the God that all the other religions pay homage to.
A big fear of working with an actor that's never been a lead in a film before is that you're going to have to work really hard to pull a performance out of her.
Over the last two years, I have been able to comb through The Prince's archives. I have been free to read his journals, diaries and many thousands of the letters.
The Grateful Dead played for three hours on a given night, plus sound check.
That's the only way to do it. Just like an actor. You can get a great performance if you do a bunch of takes and edit it. You find the moments and string them together.
My goal is to die in my 90s on the set, say, 'That's a wrap,' after the last shot, fall over dead, and have the grips go out and raise a beer to me.
