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I had done 12 little romance books, and I decided I wanted to move into crime fiction.
Writing books that people want to read is helpful - my most successful book is my only police procedural, a very popular subgenre of the very popular crime fiction genre.
I not only read Raymond Chandler but read all the crime fiction classics. I was hooked.
Crafting a piece of gripping, narrative true crime that engages the world is not that different from crafting a piece of crime fiction.
There is a very conservative element of crime writers that don't recognise what I do is crime fiction.
Crime fiction makes money. It may be harder for writers to get published, but crime is doing better than most of what we like to call CanLit. It's elementary, plot-driven, character-rich story-telling at its best.
I don't care if the critics don't like me. I want to be the people's designer, like Diana was the people's princess.
So much of contemporary crime fiction is painful to read and obsessed with violence, particularly against women, and I can't read that.
Whatever work I have done in a very short span of time, like 'Balika Vadhu,' 'Kitchen Champion 4,' 'Jhalak Dikhhla Jaa,' and 'Bigg Boss 7,' has been great for me.
