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I like independent films... European films. I do go and see popular films as well because my kids force me.
You've got these big studio films and these tiny independent films now. It's very much either/or. With the independent films, it's always a beautiful risk - it might never be seen. With the studio films, you're conforming to the formula of what's always been in place.
I know there's a certain love and affection for the homemade on the Internet, and I'm all for that, too, and I appreciate it in alternative music, and I appreciate it in B-movies and in Sundance, independent films.
And, so yeah, I'll always want to work in independent films because you're not forced into a category or a formula.
And you know, we did it as an independent film, and we weren't expecting it to be on television, and Lifetime ended up buying it. And the viewers responded intensely to that film.
You have independent films and independent music, but you don't have independent theme parks - I think, in a way, Burning Man is as close, probably, as you get.
With independent film, simply because they don't have the money to make a big-budget film, they're forced to make a story that's important to them, that they would like to see on film, a personal story that people can relate to, about people, where you can see the love of the characters.
I really love independent films. There's something so determined about the people who work on them.
Right now my career is totally schizophrenic, because when an American production like Hitchcock Presents asks to see my work I would never dream of showing them my independent films.
